- Sketchbook (Ongoing)
- The Scoop / Writing
- Craftspace x Serendipity Art festival, Goa
- Heal, Home, Hmmm x Intervention Architecture at V&A Museum
- A String of Love x without SHAPE without FORM
- A sickness is spreading, it’s turning us blue
- Comfort Near Me
- Made in the Middle
Courses for Dis-Course(s)
The Podcast and Publication
Material Matters- New Contemporaries
- Manji, Charpai, Daybed x Greenwich & Docklands International Festival
- Don’t play with your food
- Jalebi Press
- Hospital Rooms x Sandwell CAMHS
- Rhythm with Osman Yousefzada
- Aftercare with Liverpool Biennial
- Comrades (Midlands) with Outside In x EXPLORERS project
- 2023 ++
- Arts Council Collection Acquisitions 2022
- Courses for Dis-Course(s)
- Quisse of the Komagata Maru
- Khao, peyo, aish karo, but don’t hurt anyone’s heart
- Care Work ft Desi and Disabled
- But what if I gave myself an ounce of the care I show for others?
- Archive 2019 - 2022 ++
About- Bazaar
- Contact
- Disabilty Disclosure
- Experience etc
- Fun
- Contact Details
Email roodhissou@gmail.com Twitter @roodhissou Instagram @roodhissou
- © Roo Dhissou and Jalebi Press 25’.
- Please ask for permission when
- referencing my writing because it may contain original
- references to my PhD, or using my images, as they may belong to one of my many photographer friends.
Rest is a room I built in my mind, Roo Dhissou, 2025
‘A Sickness is Spreading, it’s Turning Us Blue’
Residency Activation at Stryx
Opening on July 4th at Stryx for Digbeth First Friday, this is not an exhibition — it is a reclamation.
The gallery is being transformed into a space for rest, refusal, and recovery. Not symbolically — physically. Titled after a Gurdas Mann song mourning community and calling us to stay alert, ‘A Sickness is Spreading, it’s Turning Us Blue’confronts artist burnout and chronic exhaustion as structural issues.
On opening night, the gallery will be activated as a space of resistance — the text “A Sickness is Spreading…” will be read aloud, not as performance, but as declaration. This is a taking back of space in a time when rest is rarely afforded, and exhibitions are increasingly out of reach.
The installation — built from HS2-rescued clay, wood, hemp, and developed with the support of Intervention Architecture — reimagines how we might house care, grief, and creative process. It centres making as survival, and space as sanctuary.
"Across July, I’ll be working on-site at Stryx, developing this living structure as the first iteration of a body of work that will continue into a show at the V&A later this year. Visitors are invited to encounter the work in progress — to sit, listen, and reflect on what it means to build while unwell, to rest while resisting."
This is not a show. This is the work.
Opening on July 4th at Stryx for Digbeth First Friday, this is not an exhibition — it is a reclamation.
The gallery is being transformed into a space for rest, refusal, and recovery. Not symbolically — physically. Titled after a Gurdas Mann song mourning community and calling us to stay alert, ‘A Sickness is Spreading, it’s Turning Us Blue’confronts artist burnout and chronic exhaustion as structural issues.
On opening night, the gallery will be activated as a space of resistance — the text “A Sickness is Spreading…” will be read aloud, not as performance, but as declaration. This is a taking back of space in a time when rest is rarely afforded, and exhibitions are increasingly out of reach.
The installation — built from HS2-rescued clay, wood, hemp, and developed with the support of Intervention Architecture — reimagines how we might house care, grief, and creative process. It centres making as survival, and space as sanctuary.
"Across July, I’ll be working on-site at Stryx, developing this living structure as the first iteration of a body of work that will continue into a show at the V&A later this year. Visitors are invited to encounter the work in progress — to sit, listen, and reflect on what it means to build while unwell, to rest while resisting."
This is not a show. This is the work.
Digital Render by Harrison Dunn, 2025.